SWORD / TECHNOLOGY
LAB
Sound. Technology. Physics.

What happens from vibration to hearing, from a digital sample to a loudspeaker, and from electrical power to room acoustics? SWORD LAB is not a collection of short glossary entries but a structured technical knowledge base whose articles build on one another.

HearingAcousticsSound engineeringElectroacousticsDigital audioDJ technology

The order is deliberate: first we examine vibration, sound and human hearing; then measurement, power transfer, electroacoustic conversion, crossovers, space, digital audio and finally the complete DJ signal path.

01

What do we actually hear?

From vibration to auditory perception - the physics and physiology of human hearing, and how hearing changes with age

HEARING · ACOUSTICS · READ →
02

Decibel, sound pressure and SPL

What +3, +6 and +10 dB actually mean

SOUND ENGINEERING · READ →
03

WATT, power and loudness

Why the WATT rating does not tell you how loud a loudspeaker is

SOUND ENGINEERING · READ →
04

How does a loudspeaker work?

From electrical signal to mechanical motion and acoustic power

ELECTROACOUSTICS · READ →
05

Impedance in sound engineering

Resistance, reactance, phase angle, power and amplifier loading

ELECTRICAL ENGINEERING · READ →
06

Crossovers and frequency bands

Electrical filters, acoustic slopes, phase, delay and directivity matching

ELECTROACOUSTICS · READ →
07

Phase, polarity and interference

Why bass disappears, what comb filtering is, and what delay really changes

ACOUSTICS · READ →
08

Why do we need a subwoofer?

Excursion, volume velocity, enclosure loading, crossover, placement and low-frequency arrays

SOUND ENGINEERING · READ →
09

Room acoustics in practice

Reflections, modes, decay, critical distance, measurement and what EQ cannot fix

ACOUSTICS · READ →
10

Digital audio from first principles

Sampling, Nyquist, bit depth, quantisation, dither, jitter, latency and clocking

DIGITAL AUDIO · READ →
11

WAV, FLAC, MP3, AAC and CD

Containers, codecs, lossless and lossy compression - what actually happens to the music?

DIGITAL AUDIO · READ →
12

The complete DJ signal path

From the music file through mixer, DSP and loudspeaker - then through the ear to the brain

DJ TECHNOLOGY · READ →

Professional and legal notice

I prepare the technical descriptions, calculations, examples, diagrams and other information published in SWORD LAB for educational and informational purposes. When compiling the material I aim for technical accuracy, correct presentation of the underlying relationships and careful use of the available professional knowledge.

Nevertheless, the information may contain inaccuracies, errors or simplifications that cannot be applied unchanged to a specific system or environment. The calculations and engineering examples are generally based on stated or implicit assumptions. Real systems are also affected by the actual parameters of the equipment, system topology, environmental conditions, measurement method, installation practice, applicable standards, legislation and manufacturer requirements.

The material I publish does not constitute design documentation, an expert opinion, an installation instruction, a safety instruction or individual professional advice. It does not replace manufacturer documentation, current regulations and standards, or - where required - the examination, measurement or design work of a suitably qualified and authorised professional.

Technical standards, product data and technologies change over time. Before design, installation, measurement, operation, repair or equipment selection, I therefore recommend checking the current primary and authoritative sources.

I make every reasonable effort to prepare the material carefully; however, to the extent permitted by applicable law, I accept no liability for direct or indirect damage, loss, malfunction or interruption resulting from the use, misinterpretation or incorrect application of information published on this site, or from interventions carried out on that basis.

The purpose of SWORD LAB is to help explain engineering relationships and the physical and technical processes behind sound reinforcement, electroacoustics, digital audio and DJ technology. It is not intended to replace on-site investigation, measurement or engineering design of a specific system.

© 2026 SWORD · All rights reserved. Copyright notice